Warszawa—Dakar
by Maria Pomianowska & Grupie Gaindé
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Digital Album
Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
1. |
Adunabi Amoulsolo
03:28
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2. |
Hula Gąski
06:08
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3. |
Konie Wrone
06:36
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4. |
Listek na Kalinie
03:15
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5. |
Matulu Moja-Arbidoynauar
04:27
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6. |
Miriam Ba
04:30
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7. |
Neneyo
06:00
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8. |
Nyali Bagna
05:29
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9. |
Obereczki i Polka
05:48
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10. |
Sanou
07:00
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11. |
Soit Lipeńka
05:54
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about
Maria Pomianowska - vocals, biłgoraj suka, płock fiddle, wspak
Amadou Fola Balde - vocals, djembe, claves, guitar
Ousmane Fall - kora
Issa Diop - balafon
Bocar Niang - sabar, djembe, claves
Bamba Dieng - dundun, backing vocals
Masserigne Fall - sabar, dundun, backing vocals
Paweł Betley - vocals, flutes, piano, bass
Gwidon Cybulski - harmonica
This album is a journey through both space and time. The sound of exotic instruments and scales puts one into a mood of detachment from all predetermined notions concerning music, to which we've become accustomed. This detachment allows for a journey through time, to encounter the forgotten and newly reconstructed sounds of Old Polish instruments. In this meeting of the African continent with the Mazovian Lowlands, we hear a presentation of Polish-Senegalese improvisations, compositions, and aesthetic experiments based on traditional Polish music, as well as African hymns and rhythms sung for centuries. Thus, this work creates new artistic values – in terms of both its sound, and aesthetics.
(Beata Buchert-Perlińska)
Amadou Fola Balde - vocals, djembe, claves, guitar
Ousmane Fall - kora
Issa Diop - balafon
Bocar Niang - sabar, djembe, claves
Bamba Dieng - dundun, backing vocals
Masserigne Fall - sabar, dundun, backing vocals
Paweł Betley - vocals, flutes, piano, bass
Gwidon Cybulski - harmonica
This album is a journey through both space and time. The sound of exotic instruments and scales puts one into a mood of detachment from all predetermined notions concerning music, to which we've become accustomed. This detachment allows for a journey through time, to encounter the forgotten and newly reconstructed sounds of Old Polish instruments. In this meeting of the African continent with the Mazovian Lowlands, we hear a presentation of Polish-Senegalese improvisations, compositions, and aesthetic experiments based on traditional Polish music, as well as African hymns and rhythms sung for centuries. Thus, this work creates new artistic values – in terms of both its sound, and aesthetics.
(Beata Buchert-Perlińska)
credits
released August 28, 2015
Recorded March & April, 2014 at the de Sidi Samb Studio in Dakar (Senegal) and May & June, 2014 at the Master ZTUDIO in Warsaw (Poland)
Recording engineers: Abdourahman Caba (Dakar) & Paweł Betley (Warsaw)
Mix & master: Paweł Betley
Coordination of the project: Beata Buchert-Perlińska (Ambasada RP w Rabacie),
Marta Górska, Maria Pomianowska
Design: For Tune®
Cover photo: Marta Eloy Cichocka
Other photos: Maria Pomianowska, Krzysztof Miękus (p. 6)
Translations: Małgorzata Pawlikowska
Special thanks to Barbara and Ousman Diop, Anna Haris, Kamila and Joanna Rosińskie, Mamadou Balde, Dieynabe Kande.
The copyrights of this record are owned by For Tune® LLC
Unauthorized duplication of this record is strictly prohibited.
1st edition. Previously unissued."
Recorded March & April, 2014 at the de Sidi Samb Studio in Dakar (Senegal) and May & June, 2014 at the Master ZTUDIO in Warsaw (Poland)
Recording engineers: Abdourahman Caba (Dakar) & Paweł Betley (Warsaw)
Mix & master: Paweł Betley
Coordination of the project: Beata Buchert-Perlińska (Ambasada RP w Rabacie),
Marta Górska, Maria Pomianowska
Design: For Tune®
Cover photo: Marta Eloy Cichocka
Other photos: Maria Pomianowska, Krzysztof Miękus (p. 6)
Translations: Małgorzata Pawlikowska
Special thanks to Barbara and Ousman Diop, Anna Haris, Kamila and Joanna Rosińskie, Mamadou Balde, Dieynabe Kande.
The copyrights of this record are owned by For Tune® LLC
Unauthorized duplication of this record is strictly prohibited.
1st edition. Previously unissued."
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